Gay Issue #2

(New York, NY - 3, September 2009) Gargamel Music is pleased to confirm that four-time Grammy nominated Reggae artist and icon, Buju Banton will kick off his hotly anticipated Rasta Got Soul US Tour on September 12th in Philadelphia.

We are disappointed by the hasty cancellation of a few shows by Live Nation/House of Blues and Goldenvoice/AEG, but fans will be happy to know we have over 30 confirmed shows that are definitely playing and we are working to replace the canceled dates. Now our team is primarily concerned with setting the record straight on the grossly inaccurate portrait of Buju being painted by certain organizations and systematically relayed to the masses and the media.

Buju Banton was all of 15-years-old when he wrote "Boom Bye Bye" in response to a widely publicized man/boy rape case in Jamaica. It was not a call to violence. The song was re-released on a popular dancehall rhythm in 1992 and caused a huge uproar after receiving commercial radio play in the States. Following much public debate back then, prominent gay rights leaders - and Buju - decidedly moved on. For the record, it is the only song he ever made on the subject - and he does not perform it today.

Those who have followed Buju Banton's musical journey and have actually listened to his extensive catalog, know of his development into a world-class singer, songwriter and performer who can quietly sell out such prestigious venues as the Theater at Madison Square Garden in New York and Brixton Academy in London. He does not advocate violence. There has never been a shred of violence at any of his live shows. In fact, he commonly preaches against violence - against all people.

Buju's consistently positive messages of peace, love and enlightenment have never been lost in the music. His 1995 Grammy-nominated album 'Til Shiloh marked a spiritual and musical transformation that yielded the classic narratives "Untold Stories," "Wanna Be Loved" and "Murderer," which personified the horrific increase in gun crimes in Kingston's inner city. His Grammy-nominated Inna Heights (1997) garnered him numerous comparisons to the late, great Bob Marley.

Long before Hollywood raised its collective consciousness about Darfur, there was Buju Banton wailing about the genocide happening in "Sudan" on 1999's Unchained Spirit. His Friends For Life (2003) and Too Bad (2006) projects were both acknowledged with Grammy nods for Best Reggae Album. Buju's latest Roots Reggae opus, Rasta Got Soul (2009), has already been welcomed with critical acclaim in the US, Europe and Japan.

The artist's love for humanity is not just demonstrated in words but also in deeds. Twelve years ago he responded to the AIDS crisis in Jamaica by launching Operation Willy, an organization focused on raising monies for HIV positive babies and children who lost their parents to the disease. For three years he served as a celebrity spokesperson for Upliftment Jamaica, a US-based non-profit committed to working with underprivileged youth back home.

Yet none of these personal and professional accomplishments matter much to a gay lobby hell bent on destroying the livelihood of a man who has spent an entire career making amends -- his way. Sadly, their 17 year fixation on waging war against one artist has prevented them from turning this initiative into a larger, more fruitful discussion that could perhaps effect real change. 

If you search for "We Support Buju Banton" in facebook, you will find two groups. Check out "the other" and read up what sort of comments people leave to the wall.

Just Sickening.

Generation M Manifesto

This is not my entry but its interesting never the less. Its similarry thought provoking as posts i've been republishing from TED

Dear Old People Who Run the World,

My generation would like to break up with you.
Everyday, I see a widening gap in how you and we understand the world — and what we want from it. I think we have irreconcilable differences.

You wanted big, fat, lazy "business." We want small, responsive, micro-scale commerce.

You turned politics into a dirty word. We want authentic, deep democracy — everywhere.

You wanted financial fundamentalism. We want an economics that makes sense for people — not just banks.

You wanted shareholder value — built by tough-guy CEOs. We want real value, built by people with character, dignity, and courage.

You wanted an invisible hand — it became a digital hand. Today's markets are those where the majority of trades are done literally robotically. We want a visible handshake: to trust and to be trusted.

You wanted growth — faster. We want to slow down — so we can become better.

You didn't care which communities were capsized, or which lives were sunk. We want a rising tide that lifts all boats.

You wanted to biggie size life: McMansions, Hummers, and McFood. We want to humanize life.

You wanted exurbs, sprawl, and gated anti-communities. We want a society built on authentic community.

You wanted more money, credit and leverage — to consume ravenously. We want to be great at doing stuff that matters.

You sacrificed the meaningful for the material: you sold out the very things that made us great for trivial gewgaws, trinkets, and gadgets. We're not for sale: we're learning to once again do what is meaningful.
There's a tectonic shift rocking the social, political, and economic landscape. The last two points above are what express it most concisely. I hate labels, but I'm going to employ a flawed, imperfect one: Generation "M."
What do the "M"s in Generation M stand for? The first is for a movement. It's a little bit about age — but mostly about a growing number of people who are acting very differently. They are doing meaningful stuff that matters the most. Those are the second, third, and fourth "M"s.
Gen M is about passion, responsibility, authenticity, and challenging yesterday's way of everything. Everywhere I look, I see an explosion of Gen M businesses, NGOs, open-source communities, local initiatives, government. Who's Gen M? Obama, kind of. Larry and Sergey. The Threadless, Etsy, and Flickr guys. Ev, Biz and the Twitter crew. Tehran 2.0. The folks at Kiva, Talking Points Memo, and FindtheFarmer. Shigeru Miyamoto, Steve Jobs, Muhammad Yunus, and Jeff Sachs are like the grandpas of Gen M. There are tons where these innovators came from.
Gen M isn't just kind of awesome — it's vitally necessary. If you think the "M"s sound idealistic, think again.
The great crisis isn't going away, changing, or "morphing." It's the same old crisis — and it's growing.
You've failed to recognize it for what it really is. It is, as I've repeatedly pointed out, in our institutions: the rules by which our economy is organized.
But they're your institutions, not ours. You made them — and they're broken. Here's what I mean:
"... For example, the auto industry has cut back production so far that inventories have begun to shrink — even in the face of historically weak demand for motor vehicles. As the economy stabilizes, just slowing the pace of this inventory shrinkage will boost gross domestic product, or GDP, which is the nation's total output of goods and services."
Clearing the backlog of SUVs built on 30-year-old technology is going to pump up GDP? So what? There couldn't be a clearer example of why GDP is a totally flawed concept, an obsolete institution. We don't need more land yachts clogging our roads: we need a 21st Century auto industry.
I was (kind of) kidding about seceding before. Here's what it looks like to me: every generation has a challenge, and this, I think, is ours: to foot the bill for yesterday's profligacy — and to create, instead, an authentically, sustainably shared prosperity.
Anyone — young or old — can answer it. Generation M is more about what you do and who you are than when you were born. So the question is this: do you still belong to the 20th century - or the 21st?
Love,

Umair and the Edge Economy Community

PS. I've re-formatted the original text a bit to make it easier to read on my blog, not other changes were made. Original article here: http://blogs.harvardbusiness.org/haque/2009/07/today_in_capitalism_20_1.html

Rest In Peace Wycliffe "Steely" Johnson

Rest in Peace Steely!

Steely of music production duo is dead
Tuesday, 01 September 2009

Wycliffe Johnson, popularly known as Steely of the dancehall reggae production duo, Steely and Clevie, has died. RJR News is receiving information that Steely died on Tuesday morning in a New York Hospital from complications following a heart attack.

Our news centre understands that Steely was recuperating from Tuberculosis and kidney related problems.

Steely and Clevie have worked with artistes such as The Specials, Gregory Peck, Bounty Killer, Elephant Man, Sean Paul and No Doubt.

Steely debuted as a keyboardist with Sugar Minott's Youth Promotion collective in the 1970s.

Steely and Clevie first played together at Lee "Scratch" Perry's Black Ark Studios during the late 1970s.

In 1986, the duo was the house band at King Jammy's Studio, which became the centre point of late-1980s reggae, by which time Steely & Clevie were established production leaders with an immense slew of 12-inch and dub singles.

The duo formed the Steely & Clevie label in 1987.

Notting Hill 2009 @ YouTube (UPDATED #2)

Carnival over! And as usual, everyone of us who stayed at home are feeling that we missed it all ;)

To relief the pain i'm scrouring thru youtube to find footage of what did happen. Here's a what i've found so
far:

Channel One












Jah Observer

Aba Shanti I
























Gladdy Wax